My chosen scene begins at I chose to analyse this scene as it contains many interesting points of mise-en-scene, creating a scene that some may see as diverting from the stereotypical action genre, using aspects such as camera angles to create contrasting expectations. In this analysis, I will be looking at the aspects of setting and decor, lighting, sound and the use of the camera and how each of these notions influences the audience. The setting within this sequence is an interrogation room and office in the basement of Gotham police station.
However, when we turn away from the archetypal world of fairy tales and comic books, this distinction is no longer as clear.
When we look at real human beings we do not see heroes or villains, but rather individuals composed of varying degrees of both extremes.
No hero is perfect, and no villain is completely void of components that constitute heroism. The most recent film adaptation of the DC Comic series Batman presents this truth of human nature. The Dark Knight Rises effectively communicates the blurred line that exists between heroism and villainy through the collaboration of imagery, sound, dialogue, and other film techniques, which troubles commonly held "good vs.
This idea of defying the expected separation of heroism and villainy is first introduced in the opening scene of the film, with the memorial of a fallen "hero" of Gotham, Harvey Dent. The first image the viewer is presented with is an almost indistinguishable dark substance, visibly and audibly cracking like ice under extreme pressure.
The lack of clarity as to what is being shown is unsettling, forcing the viewer to question what exactly is being cracked, or what crumbling foundation this image is representative of.
It is with this frame of mind that the viewer is next presented with the words of Officer Gordon about Harvey Dent. Paired with the previously mentioned imagery, as well as a heavy score, his descriptors such as "friend" and "inspires us" sound insincere.
It takes place during evening, and the figures are dimly lit. The lighting, sound, and opening imagery conflict with the objective premise of the scene, in that rather than evoking honor or nostalgia, they instead have a disquieting effect.
The scene that immediately follows involves workers of a known "masked man" named Bane being transferred onto a plane run by a CIA employee, and this sequence utilizes sound to make implicit claims about heroism and villainy.
This presentation causes the viewer to consider flaws in structures previously believed to be practically infallible. When Bane is revealed, his lines are delivered in a calm tone, amplified and clear despite the turbulence of the airplane.
The sharp contrast between this and the tone of the CIA worker suggests that Bane is in control, but not in the way typically associated with such terrorist attacks. A faint chant is heard, contributing to the build-up of such triumph, and it alludes to a chant the viewer encounters in higher volume later in the film as the protagonist Bruce Wayne makes his triumphant climb out of a prison.
Drawing this connection between Bane and Bruce, those who may be thought of as the objective "villain" and "hero" of the film, invites the argument that the two may be more similar than often believed. Bruce is not only the wealthy heir of Wayne Enterprises, but also the Batman, notorious for saving Gotham from evildoers in previous installments.
The viewer is given the impression that Bruce has failed, an impression solidified with several aspects surrounding his first appearance on the screen. He is first seen as a dark silhouette, his back facing the camera, a clear focus on the cane he depends on for walking.
Often in epic fight scenes such as this, the score of the film will rise and fall with each blow and heighten the intensity of the conflict. However, this particular scene is void of any sounds other than those of the fight itself and the dialogue accompanying it.
This diminishes the sense of "good vs. Because of this, the viewer can view the scene for what it really is: Objectively, the men are presented to have a considerable amount in common. Bane brings up their common origin, the League of Shadows, and as they continue to fight, they discuss how Batman left the League and Bane was excommunicated from it.
The placement of this dialogue can bring about the realization that these men very easily could have ended up on the same side.
As the lighting and, consequently, the mood of the scene continue to darken, yet another similarity between the men is highlighted. You merely adopted the dark; I was born in it" as unnaturally poetic given the circumstances.
It is effective not in adding suspense to the action, but in communicating to the viewer that both men have darkness in their past, darkness they continue to struggle with in the present. This scene therefore is not received as the expected fight between a "hero" and a "villain," but rather as a conflict between two imperfect human beings who house both demons and seemingly good intentions.
This presentation allows the viewer to step away from their presuppositions regarding heroism and villainy. The Dark Knight Rises separates itself from the unrealistic standards typically established in comic book-type storytelling. It breaks down the dichotomous division of heroism and villainy by highlighting the humanity of the characters that fall under each of these classifications.
When the imperfections of "heroes" are recognized, and the possibilities of "villains" having some degree of goodness are communicated, the two categories seem to find common ground, and similarities can be drawn between such seemingly opposite roles.Chess Tricks (+1 | -1) The BEST chess player of all time?
Who is widely regarded as being the best chess player of all time? I don't mean your personal favourites as there is already a thread on this. Pragmatic Works is a consulting and training company focusing on data optimization and improving the efficiency of Azure, Data and SQL Server management.
THE DARK KNIGHT is not only my vote for best movie in the series, but is also my personal favorite Batman story ever told, surpassing all the other films and all the classic Batman graphic novels.
It achieves this by putting all the right elements in play that to me have made Batman go beyond. Analysis It is very likely that the Knight’s Tale was written before the Canterbury Tales as a whole project was planned, and so it has the unusual status of being both a part of the tales as a whole, but also a separate work of literature in its own right (though the text has been adapted into the Tales – lines ).
Analyze Knight Transportation, Inc. (KNX) using the investment criteria of some of the greatest guru investors of our time. In this analysis, I will be looking at the aspects of setting and decor, lighting, sound and the use of the camera and how each of these notions influences the audience.
The setting within this sequence is an interrogation room and office in .